January Tamarind. Queen Scarves.

My process isn’t technical in the traditional sense. I don’t approach photography as a technician — I approach it as an image-maker. Each image becomes part of an ongoing experiment.

I start from a feeling — a rhythm — and let that guide me. Much like in dub music, there’s a sense of spaciousness, of pulling something apart to find its core.

On set, I work through intuition — tuning into tension, atmosphere, and emotional frequency. It’s almost like painting with light and time, following what I feel rather than what I see.

The camera becomes secondary — a vessel to translate what I’m feeling rather than dictate it. What interests me is not control, but curiosity. Not perfection, but presence. In that space, the work unfolds on its own rhythm — echoing, expanding, and finding form through the sound of intuition.

Photography by Khalid Wildman, London, UK, October 2025.